The Rembrandt Chamber Players perform 20th-century works for Baroque ensemble and harpsichord on their debut recording with Cedille Records. They perform four exemplary works from different genres of the modern harpsichord repertoire, including two by living American composers.
An attractive and neglected area of 20th-century repertoire gets its due on this CD that toasts French composers and their delightful wind trios. On its second outing for Cedille Records, The Chicago Chamber Musicians — in this instance, a subset comprising oboist Michael Henoch, clarinetist Larry Combs, and bassoonist William Buchman — perform eight sparkling wind trios composed expressly for that instrumentation in the 1930s and 1940s by Paul Pierné (not his better-known cousin, Gabriel), Canteloube, Ibert, Milhaud, Tansman, Auric, and Françaix.
A French Soirée is the newest installment in Trio Settecento’s acclaimed, country-by-country grand tour of the European Baroque on Cedille Records. The new CD is a companion to the period-instrument ensemble’s An Italian Sojourn and A German Bouquet.
Chicago-based period-instrument ensemble Trio Settecento (1700s Trio) performs a colorful cluster of Baroque sonatas on A German Bouquet, the second in a planned series of four CDs illustrating the character and complexion of the era's music as it developed in various regions of Europe.
When people think of Vivaldi, they think of concertos, which represent only about half of his nearly 800 compositions. Vocal music? Mostly forgotten. Vivaldi recordings, though voluminous, comprise many predictable collections of similar works -- flute concertos, violin concerto, and so forth.
These assessments of David Leisner's most celebrated work, Dances in the Madhouse, could apply to all the pieces on this CD of Leisner's complete works for flute and guitar, all composed between 1982 and 2002.
The disc contains three world-premiere recordings, including the playful and haunting Acrobats; Trittico, inspired by Renaissance paintings; and Leisner's exploration of contrasting personality types, Extremes.
This recording is the first disc in an emerging three-CD series devoted to twentieth-century composers of African descent, a project inspired by CBS Records' landmark Black Composers Series of the 1970s. Paul Freeman, artistic director and featured conductor for the long out-of-print CBS series, conducts the Chicago Sinfonietta for Cedille's African Heritage Symphonic Series. Dominique-René de Lerma, chief consultant and program annotator for the CBS series, is writing the program notes for Cedille's series. This recording was funded in part by a grant from the National Endowment for the Arts to the Chicago Sinfonietta.
Not since the LP era of the 1970s has there been anything like Cedille Records' African Heritage Symphonic Series.
Works by four leading Black American composers comprise the third and final installment of Cedille Records' acclaimed African Heritage Symphonic Series. Volume III features compositions from the last quarter of the 20th century performed by the Chicago Sinfonietta led by maestro Paul Freeman, "one of the finest conductors our nation has produced" (Fanfare). Freeman spearheaded the landmark Black Composers Series of Columbia LPs in the 1970s, which inspired the new undertaking.
The Civitas Ensemble, an enterprising chamber group founded by Chicago Symphony Orchestra musicians, teams up with Czech violin virtuoso Pavel Šporcl and his wildly popular Gipsy Way Ensemble for a groundbreaking collaboration at the crossroads of Western classical and Romani musical traditions.
American Choral Premieres is the latest testament to the choir’s mission and stellar reputation.
With its music director and conductor Paul French, the mid-size, mixed-voice ensemble performs world-premiere recordings of sacred and spiritual pieces by nine recent and contemporary composers including Alan Hovhaness’s Four Motets, Op. 268; George Rochberg’s Behold, My Servant; Easley Blackwood’s A King James Magnificat, Op. 44; and William Ferris’s Lyrica Sacra.
The flute takes center stage on this CD of orchestral works by five American composers of the twentieth century, including the world-premiere recording of a 1996 piece by Chicago's Lita Grier, an award-winning composer who recently began writing music again after a long absence.
All of Cedille Records' recordings of American music with the Grant Park Orchestra (ensemble in residence for Chicago's summer Grant Park Music Festival) and principal conductor Carlos Kalmar have garnered raves and awards for their spirited performances and spectacular sound. This one features exhilarating works by Barbara Kolb, Aaron Jay Kernis, Michael Hersch, John Corigliano, and John Harbison.
My idea for this disc is to share some of the best and most varied current literature for voice and piano. The composers represented here include well-recognized and less familiar names, all of whom are living. They take their inspiration from poems and prose both ancient and modern, exotic and mundane. They rework time-honored musical forms and develop new ones. Their compositional methods range from simple to virtuosic. - Patrice Michaels
Cathy Basrak, the 23-year-old newly appointed assistant principal violist of the Boston Symphony Orchestra and principal violist of the Boston Pops Orchestra, makes her recording debut with an all-American program of attractive twentieth-century chamber music that's rarely heard -- and largely unfamiliar even to many violists.
A kindred spirit, celebrated American violinist Rachel Barton Pine performs music dedicated to and arranged by Maud Powell. Some of the composers you know: Chopin, Dvorak, Sibelius. Others are yours to discover: Beach, Bauer, Burleigh, and many more.
American Works for Organ and Orchestra offers a sonic extravaganza of neglected masterpieces by noted American composers. Here are four works that showcase the spectacular sonority of full organ combined with large symphonic ensemble.
The five pieces on this disc -- all original works for two pianos or piano duet -- sound distinctly American. While this statement is undeniable, it begs the question: What constitutes a distinctly American sound? The composers represented here employ very different compositional styles and harmonic languages.
Trio Settecento, the "superlative Chicago-based early music ensemble" (Gramophone) completes its geographical grand tour of the European Baroque with An English Fancy, its highly anticipated survey of English Baroque chamber works. It's the final leg of a musical journey that has delighted record collectors and critics alike. Previous installments include An Italian Sojourn, A German Bouquet, and A French Soirée.
Trio Settecento brings fresh insights to music from the Age of Enlightenment through its passionate, authoritative, and distinctive interpretations.
The New Budapest Orpheum Society, ensemble-in-residence in the Division of Humanities at the University of Chicago, has been tracing the origins, development, and influence of European Jewish cabaret music through extensive historical research and compelling performances in concert and on a series of widely acclaimed albums on Cedille Records.
Dmitri Shostakovich’s long-lost Impromptu for Viola and Piano, Op. 33, recently unearthed in the Moscow State Archives, receives its world-premiere recording on Matthew Lipman’s Ascent, the acclaimed young American violist’s solo debut album, featuring, in the artist’s words, “music enraptured by flights of fantasy.”
Harpsichord CDs typically serve up a heaping portion of a composer's closely related works. On this CD, however, Chicago's David Schrader presents a platter of four differently-seasoned Bach compositions. The disc opens with the lyrical Italian Concerto in F Major, BWV 971. In the program notes, Schrader describes this piece as "the apotheosis of Bach's many transcriptions from the works of many Italian composers."
American violinist Jennifer Koh's Bach & Beyond Part 1 is the first in a three-part CD series based on her groundbreaking, multi-season "Bach and Beyond" recital series, now underway in North America and overseas. With these inventive programs, Koh, "a virtuoso with quirky and wonderful ideas" (San Francisco Chronicle), sets out to illuminate connections between J.S. Bach's sonatas and partitas for solo violin and 20th- and 21st-century works, including pieces commissioned expressly for Koh and her Bach and Beyond project.
Violinist Jennifer Koh’s Bach & Beyond Part 2 is the newest installment in a three-CD
cycle based on her groundbreaking, multiyear recital series of the same name. Koh, “a
masterly Bach interpreter and a champion of contemporary repertory” (The New York
Times), performs J. S. Bach’s landmark violin Sonatas and Partitas alongside 20th and 21st
century solo violin works they’ve inspired, including new commissions.