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Bringing Saint-Georges’ Songs to Life


In late-June, the concert hall at the Reva and David Logan Center for the Arts was transformed into a recording studio as soprano Nicole Cabell and pianist Tyson Deaton gathered to record a remarkable collection of songs by Joseph Bologne, Chevalier de Saint-Georges (1745–1799).

While Saint-Georges is becoming increasingly recognized as one of the most fascinating composers of the late-18th century, his over-100 songs have remained virtually unknown for more than 200 years. (Only one had been previously recorded up till now — on soprano Patrice Micheals’ 1999 Cedille album, Songs of the Classical Age.) Bringing them to life required more than exceptional performances —it required scholarship. Tyson Deaton, pianist, conductor, and a leading authority on Saint-Georges, prepared new performing editions of the songs, making it possible for these works to be recorded and shared with modern audiences.

Throughout the recording sessions, artistry and scholarship worked hand in hand. Nicole’s expressive interpretations, paired with Tyson’s special understanding of Bologne’s music, revealed a repertoire that is at once elegant, intimate, and remarkably fresh. Together, they are introducing listeners to another side of a composer whose voice is still being rediscovered.

The recording builds on Cedille’s commitment to preserving overlooked musical treasures and follows Nicole’s acclaimed performance in L’Amant Anonyme, Bologne’s only surviving opera. Thanks to the generosity of Cedille donor, Nancy Dehmlow, these world-premiere recordings become part of the label’s permanent catalog upon the album’s release in February 2027 — ensuring that this extraordinary music can be heard, enjoyed, and studied for generations to come.


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