The Civitas Ensemble, an enterprising chamber group founded by Chicago Symphony Orchestra musicians, teams up with Czech violin virtuoso Pavel Šporcl and his wildly popular Gipsy Way Ensemble for a groundbreaking collaboration at the crossroads of Western classical and Romani musical traditions.
Jorge Federico Osorio, “an imaginative interpreter with a powerful technique (The New York Times), deftly pairs Brahms’s final solo piano works with those by Schubert for an inventive program of richly satisfying works that capture the essence of each composer’s towering individuality.
This 3-disc Box Set comprises the first complete recording of all of Liszt's 2-piano versions of his 12 symphonic poems from the Weimar period (1848-61)
The dynamic, Grammy Award-winning Pacifica Quartet and the Metropolitan Opera Orchestra’s superstar principal clarinetist Anthony McGill join forces for the clarinet quintets of Mozart and Brahms
— widely considered the greatest chamber works for this combination of instruments.
This is the final installment in the Pacifica Quartet's highly anticipated, and already highly acclaimed four-volume CD survey of the complete Shostakovich string quartets: The Soviet Experience: String Quartets by Dmitri Shostakovich and his Contemporaries.
Billboard chart-topping violinist Rachel Barton Pine joins forces with Germany's distinguished Göttinger Symphonie Orchester and its acclaimed principal conductor, Christoph-Mathias Mueller, to present Mendelssohn's celebrated violin concerto alongside the great, though lesser-known, concerto by Robert Schumann, plus Beethoven's elegant Romances for violin and orchestra.
The album is violinist Pine's original concept, inspired by the birth of her first child in September 2011. She could find no existing collection of classical violin lullaby scores and or any compilation recordings. So, she set about gathering sheet music from libraries around the world, amassing a collection of 150 lullaby scores. She selected 25 of the best to include on Violin Lullabies.
American violinist Jennifer Koh's Bach & Beyond Part 1 is the first in a three-part CD series based on her groundbreaking, multi-season "Bach and Beyond" recital series, now underway in North America and overseas. With these inventive programs, Koh, "a virtuoso with quirky and wonderful ideas" (San Francisco Chronicle), sets out to illuminate connections between J.S. Bach's sonatas and partitas for solo violin and 20th- and 21st-century works, including pieces commissioned expressly for Koh and her Bach and Beyond project.
Mexican-born, European-trained pianist Jorge Federico Osorio has been hailed by the Los Angeles Times as "one of the more elegant and accomplished pianists on the planet" and a performer who "always brings new insights, eloquent readings, and an effortless virtuosity all his assignments." A New York Times concert review praised his "considerable imagination for subtle timbres and vivid characterization" and said "the sweep and freshness of his readings made his performances impossible to resist."
Violinist Rachel Barton Pine, Cedille Records' all-time best-selling artist, has created another rare - perhaps unique - contribution to the world's CD catalog: an album of Spanish and Latin American music written solely for unaccompanied violin.
Fantaisie combines CD rarities, such as Phillippe Gaubert’s Fantaisie and Albert Franz Doppler’s Fantaisie Pastorale Hongroise, with works that constitute essential listening for flute enthusiasts, including Gabriel Fauré’s Fantaisie, Op. 79, and Francois Borne’s Fantaisie Brillante on Themes from Bizet’s Carmen.
The WarnerNuzova duo — cellist Wendy Warner and pianist Irina Nuzova — makes its recording debut with five late-Romantic Russian works on an album dedicated to the memory of one of Warner’s mentors, the illustrious Russian cellist, composer, and conductor Mstislav Rostropovich (1927–2007).
One of today's finest cellists, Wendy Warner wows listeners with her unbridled renditions of virtuosic works by two great cellist-composers.
Poetry inspired remarkable trios by three Romantic composers: August Klughardt's Schumannesque Schilflieder (Songs of the Reeds) from 1872 tell the poignant story of a man 'reunited' with the ghost of his lost love. American composer Charles Martin Loeffler's Two Rhapsodies for Oboe, Viola, and Piano (1901), also inspired by love lost, offers a delightful blend of French Impressionism and New World freshness. British composer Felix White's evocative The Nymph's Complaint for the Death of her Fawn (1921) won a Carnegie Award and the admiration of Ralph Vaughan Williams.
When pianist Jorge Federico Osorio gave a recital in New York's Lincoln Center earlier this year, The New York Times praised his "considerable imagination for subtle timbres and vivid characterizations" in works of Debussy and his "beautifully articulated" and "explosively virtuosic" readings of Liszt.
A kindred spirit, celebrated American violinist Rachel Barton Pine performs music dedicated to and arranged by Maud Powell. Some of the composers you know: Chopin, Dvorak, Sibelius. Others are yours to discover: Beach, Bauer, Burleigh, and many more.
Violinist Jennifer Koh and pianist Reiko Uchida perform all three of Robert Schumann's violin sonatas
The Orion Ensemble - an unusual combination of piano quartet and clarinet known for its insatiable musical curiosity and stylish performances - makes its commercial recording debut with world premiere recordings of two forgotten gems from late-Romantic Vienna
Celebrated Mexican-born pianist Jorge Federico Osorio showcases solo piano works by his countryman, Manuel Ponce (1882-1948), who revolutionized Mexican music by fusing indigenous native and Spanish sounds with European classical forms.
Rachel Barton Pine's disc of Celtic flavored works is the first to present Bruch's beloved Scottish Fantasy in an insightful and virtuosic interpretation that highlights its Scottish roots. The album also features Sarasate's Airs Ecossais and two pieces by Scottish composers: Mackenzie's Pibroch Suite and McEwen's Scottish Rhapsody "Prince Charlie." Ms. Pine's own Medley of Scots Tunes,* arranged and performed with famed Scottish fiddler Alasdair Fraser is also included. As a bonus, the package includes a video documentary on the making of Scottish Fantasies.
One of today's most dynamic and exciting ensembles, the Pacifica Quartet celebrates its 10th anniversary with a three-CD set of Mendelssohn's complete string quartet cycle. Known for its "stunningly expressive performances" (The Guardian) and "ideal balance" (Washington Post), the youthful Pacifica is a perfect match for this early Romantic composer's exuberant chamber music.
Flutist Mathieu Dufour and oboist Alex Klein -- current and former principal players of the Chicago Symphony Orchestra -- shine as soloists in a CD of neglected gems from the early Romantic era. Charming virtuosic showpieces by Mendelssohn contemporaries Wilhelm Bernhard Molique and Ignaz Moscheles astound with their fresh melodies -- and with the jaw-dropping technique and expressive range they elicit from the wind soloists. Opening the program is a jewel of the high Classical period: Domenico Cimarosa's beloved Concerto for Two Flutes (played on flute and oboe).
Bach's Chaconne for Solo Violin, the bedazzling finale to his Partita No. 2 in D minor, has awed audiences and fellow composers for nearly three centuries. Brahms called Bach's ingenuous meditation on a simple harmonic progression "one of the most wonderful, incomprehensible pieces of music . . . a whole world of the deepest thoughts and the most powerful feelings." Violinist Jennifer Koh performs the Partita plus two much later chaconnes it inspired.
Chamber music occupied a special place in Dvorak's heart. This CD of two of his finest -- and less well-known -- chamber works will earn a cherished spot in your record collection.
Formed at Marlboro in 1969, the revered Vermeer, "one of the world's premier quartets" (Chicago Tribune), applies its characteristically "virtuous energy level" (Los Angeles Times) to Tchaikovsky's much-favored First Quartet and his seldom-heard Third.