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Episode 64, Part 1 – Rachel Barton Pine and Earl Maneein
On this two-part episode of Classical Chicago, Cedille President Jim Ginsburg talks with violinist Rachel Barton Pine and composer Earl Maneein about their experiences recording Cedille’s latest release, Dependent Arising. The album reveals (and the podcast discusses) surprising confluences between classical and heavy metal music by pairing Shostakovich’s Violin Concerto No. 1 with Earl Maneein’s “Dependent Arising” — Concerto for Violin and Orchestra (written specially for Rachel), all performed with the Royal Scottish National Orchestra under the baton of Tito Muñoz. Part 1 centers on Shostakovich’s concerto while Part 2 covers Earl Maneein’s new work.
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From Chicago-based composter Stacy Garrop comes INVICTUS, Latin for “unconquered.” The work unfolds across four movements and an interlude, moving between lyrical introspection, fierce determination, and triumphant resolve, with Grammy-nominated pianist Marta Aznavoorian and the Chicago Philharmonic under the direction of Artistic Director Scott Speck. Available 5/8.
Haymarket Opera Company presents early-18th-century master Leonardo Vinci’s rare operatic gem, Artaserse (1730). A prominent figure of the Neapolitan School of opera, whose work influenced composers such as Johann Adolph Hasse and Giovanni Battista Pergolesi, Vinci’s three-act opera seria centers on the Persian prince, Artaserse, who must bring his father’s murderer to justice amidst betrayal, deceit, and mistaken identity.
In anticipation of the June 12 digital single release of Mischa Zupko:Harpsichord Concerto, this month’s playlist features that very instrument and its many personalities. There’s delicacy in Lully’s Passacaille contrasted by Soler’s muscular Keyboard Sonata No. 81 in G Minor. Appearing both accompanied and unaccompanied, the harpsichord takes center stage this month.
Enjoy Cedille’s Weekly Featured Release.