Discover
Episode 64, Part 1 – Rachel Barton Pine and Earl Maneein
On this two-part episode of Classical Chicago, Cedille President Jim Ginsburg talks with violinist Rachel Barton Pine and composer Earl Maneein about their experiences recording Cedille’s latest release, Dependent Arising. The album reveals (and the podcast discusses) surprising confluences between classical and heavy metal music by pairing Shostakovich’s Violin Concerto No. 1 with Earl Maneein’s “Dependent Arising” — Concerto for Violin and Orchestra (written specially for Rachel), all performed with the Royal Scottish National Orchestra under the baton of Tito Muñoz. Part 1 centers on Shostakovich’s concerto while Part 2 covers Earl Maneein’s new work.
Recommended
From Chicago-based composter Stacy Garrop comes INVICTUS, Latin for “unconquered.” The work unfolds across four movements and an interlude, moving between lyrical introspection, fierce determination, and triumphant resolve, with Grammy-nominated pianist Marta Aznavoorian and the Chicago Philharmonic under the direction of Artistic Director Scott Speck. Available 5/8.
Haymarket Opera Company presents early-18th-century master Leonardo Vinci’s rare operatic gem, Artaserse (1730). A prominent figure of the Neapolitan School of opera, whose work influenced composers such as Johann Adolph Hasse and Giovanni Battista Pergolesi, Vinci’s three-act opera seria centers on the Persian prince, Artaserse, who must bring his father’s murderer to justice amidst betrayal, deceit, and mistaken identity.
To celebrate Stacy Garrop‘s piano concerto, INVICTUS (5/8 release), based on a poem about perseverance and resilience in adversity, a playlist of Cedille tracks that represent struggle against prohibitive odds — explicitly in words or as program music, or inherently in their musical nature.
Enjoy 25% off Cedille’s Weekly Featured Release.