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Episode 64, Part 1 – Rachel Barton Pine and Earl Maneein
On this two-part episode of Classical Chicago, Cedille President Jim Ginsburg talks with violinist Rachel Barton Pine and composer Earl Maneein about their experiences recording Cedille’s latest release, Dependent Arising. The album reveals (and the podcast discusses) surprising confluences between classical and heavy metal music by pairing Shostakovich’s Violin Concerto No. 1 with Earl Maneein’s “Dependent Arising” — Concerto for Violin and Orchestra (written specially for Rachel), all performed with the Royal Scottish National Orchestra under the baton of Tito Muñoz. Part 1 centers on Shostakovich’s concerto while Part 2 covers Earl Maneein’s new work.
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Flutronix, the forward-thinking duo comprised of Nathalie Joachim and Allison Loggins-Hull, presents Black Being, a four-movement song cycle for flutes, electronics, and chamber orchestra that explores and reclaims the black female experience.
The Pacifica Quartet presents The Korngold Collection, a landmark recording of Erich Wolfgang Korngold’s complete string quartets and rarely heard chamber works tracing the composer’s extraordinary evolution from prodigy of post-imperial Vienna to pioneering film composer in Hollywood
To celebrate Cedille’s release of Black Being, featuring a piece about Black Womanhood by Flutronix, the performing and composing duo of Nathalie Joachim and Allison Loggins-Hull, a playlist of works by Black women composers on Cedille. (We’ll add a track from the new album upon its 2/13 release.)
Enjoy 25% off Cedille’s Weekly Featured Release.