Grammy Award-winning, Chicago-based percussion quartet Third Coast Percussion teams up with influential, genre-defying multi-instrumentalist, record producer, songwriter, singer, and composer Devonté Hynes (aka Blood Orange) for an album of imaginative, evocative instrumental music created as the live soundtrack for choreography by the adventurous Hubbard Street Dance Chicago company.
Dmitri Shostakovich’s long-lost Impromptu for Viola and Piano, Op. 33, recently unearthed in the Moscow State Archives, receives its world-premiere recording on Matthew Lipman’s Ascent, the acclaimed young American violist’s solo debut album, featuring, in the artist’s words, “music enraptured by flights of fantasy.”
Musical America's 2016 Instrumentalist of the Year, Jennifer Koh, pays tribute to Finnish composer Kaija Saariaho with an all-Saariaho program. The album features the composer's celebrated Graal théâtre concerto plus four chamber works featuring violin. Guest artists include the Variation Trio, pianist Nicolas Hodges, and cellist Anssi Karttunen.
Violinist Rachel Barton Pine headlines a groundbreaking album of blues-influenced classical works for violin by 20th and 21st Black composers.
Thomas Hampson makes his Cedille Records debut with a program of songs by five composers of the early 20th century associated with the city of Chicago: Ernst Bacon, Florence Price, John Alden Carpenter, Margaret Bonds, and Louis Campbell-Tipton.
The Civitas Ensemble, an enterprising chamber group founded by Chicago Symphony Orchestra musicians, teams up with Czech violin virtuoso Pavel Šporcl and his wildly popular Gipsy Way Ensemble for a groundbreaking collaboration at the crossroads of Western classical and Romani musical traditions.
Soprano Patrice Michaels, “a formidable interpretative talent” (The New Yorker), and collaborative pianist extraordinaire Kuang-Hao Huang offer an album of world-premiere recordings saluting the life and work of legal pioneer Ruth Bader Ginsburg.
Liquid Melancholy, featuring virtuoso clarinetist John Bruce Yeh of the Chicago Symphony Orchestra, exudes a kaleidoscope of colors and moods while showering listeners with attractive melodies in a program of music by James M. Stephenson, one of America’s most popular and prolific present-day composers.
Third Coast Percussion’s Paddle to the Sea transports listeners into a realm of imaginative sounds and world-premiere recordings evoking the aquatic world.
Olagón: a Cantata in Doublespeak is the newest album from multiple GRAMMY Award-winning chamber ensemble Eighth Blackbird. The project finds the innovative new-music sextet collaborating with vocalist Iarla Ó Lionáird of the Irish supergroup The Gloaming, Princeton-based composer-fiddler Dan Trueman, and Pulitzer Prize-winning Irish poet Paul Muldoon. A modern retelling of an ancient Irish epic, Olagón depicts — not without irony and humor — a privileged “power couple” mired in envy, greed, and adultery, descending into criminality and addiction as Ireland’s “Celtic-Tiger” economy collapses in the early 21st century.
Gaudete Brass, a quintet devoted to presenting serious brass chamber music and commissioning new work, brings a fresh perspective to music of John Corigliano with an inventive album of brass works by the prolific
American composer and his protégés.
Eclipse encompasses world-premiere recordings of inventive, virtuosic, and impassioned chamber works, written in a present-day musical language by the strikingly original American composer and pianist Mischa Zupko. Joining him are two close friends and accomplished colleagues, the sublime violinist Sang Mee Lee, who chairs the string department at the Music Institute of Chicago, and internationally renowned cellist Wendy Warner, a protégé of Mstislav Rostropovich.
The Lincoln Trio is renowned for creating “worthwhile programs of serious classical music that are wholly winning and simply delightful” (ClassicsToday.com). For its newest Cedille Records album, “the brilliant Chicago-based Lincoln Trio” (WRTI-FM, Philadelphia) of violinist Desirée Ruhstrat, cellist David Cunliffe, and pianist Marta Aznavoorian has crafted a highly personal program of inventive 20th-century piano trios by composers from the individual players’ ancestral homelands of Switzerland, England, and Armenia, respectively.
Enterprising chamber group Fifth House Ensemble, noted for its “conviction, authority, and finesse” (New York Times), joins forces with swinging and virtuosic Mediterranean folk band Baladino and 2014 Rome Prize-winning composer Dan Visconti for an exhilarating, boundary-breaking collaboration.
Flourishing American composer Stacy Garrop’s first album of orchestral music features the world-premiere recording of her Mythology Symphony, a five-movement work inspired by famous female figures from Greek mythology. Characterized by Garrop’s talent for lyricism and vivid storytelling, the symphony receives a typically vibrant and compelling performance by Billboard-charting international conductor Alonda de la Parra leading the Chicago College of Performing Arts (CCPA) Symphony Orchestra of Roosevelt University.
New-music icon Ursula Oppens, who commissioned, premiered, and made the first- recording of maverick American composer Frederic Rzewski’s The People United Will Never Be Defeated!, a remarkable, monumental set of solo piano variations, has re-recorded that landmark 1975 work to mark its 40th anniversary.
Celebrated new-music sextet eighth blackbird, whose last three Cedille Records albums garnered Grammy awards, continues to soar with Filament, a sizzling selection of four-world premiere recordings, plus a concert performance of Philip Glass’s influential Two Pages.
The Avalon String Quartet, makes its Cedille Records debut with an irresistible and richly varied program of captivating works by Claude Debussy, Benjamin Britten, Osvaldo Golijov, and rising American composer Stacy Garrop.
Violinist Jennifer Koh’s Bach & Beyond Part 2 is the newest installment in a three-CD
cycle based on her groundbreaking, multiyear recital series of the same name. Koh, “a
masterly Bach interpreter and a champion of contemporary repertory” (The New York
Times), performs J. S. Bach’s landmark violin Sonatas and Partitas alongside 20th and 21st
century solo violin works they’ve inspired, including new commissions.
Acclaimed lyric soprano Patrice Michaels, "a formidable interpretative talent" (The New Yorker), conceived and headlines this inventive, wide-ranging two-disc project of 26 songs where classical music and jazz find common ground in ways that will delight fans of both musical genres.
Visionary chamber-music group Fifth House Ensemble of Chicago aims for the stratosphere with Excelsior, its adventurous debut album on Cedille Records. The title refers to an experimental, extreme-altitude U.S. Air Force project of the Cold War era, reimagined as music by noted contemporary composer Caleb Burhans.
Renowned violinists Jennifer Koh and her distinguished mentor Jaime Laredo illuminate captivating connections between student and teacher, and composers across the centuries, in Two x Four, an album of four double-violin concertos, performed with the Curtis 20/21 Ensemble conducted by Vinay Parameswaran.
Grammy-nominated violinist Jennifer Koh and virtuoso pianist Shai Wosner play 20th-century works by three remarkable Central European composers who intertwine folkloric influences with their own unmistakable originality.
Delights & Dances, the Chicago Sinfonietta’s first recording with its new music director, award-winning conductor Mei-Ann Chen, does what this singular ensemble does best: it captivates listeners of all ages and diverse ethnic backgrounds through irresistible music and superb musicianship. On Delights & Dances, the Chicago Sinfonietta, a standard-bearer for racial diversity in the orchestral world, works its magic through a one-of-kind program featuring music for string quartet and orchestra, with guest artist, the Harlem Quartet.
Rarely heard in concert or on disc, 20th-century Mexican composer Carlos Chávez’s spectacular Piano Concerto, completed in 1940, receives an insightful and compelling performance from Mexican-born pianist Jorge Federico Osorio, with his native country’s flagship orchestra, the Orquestra Sinfónica Nacional de Mexico and its music director, the dynamic young conductor Carlos Miguel Prieto.