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Chicago Concertos: Piano Concertos by Ganz and La Montaine

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Chicago Concertos: Piano Concertos by Ganz and La Montaine

Chicago SinfoniettaJohn La MontainePaul FreemanRamon SalvatoreRudolph GanzSlovak Radio Symphony

  • CDR 90000 028

Cedille Selects tracks are designed to provide a representative overview of the album

    • I. March-like: Allegro alla marcia (7:35)

    • RUDOLPH GANZ (1877-1972)

      Piano Concerto in E-flat Major, Op. 32* (1940) (25:10)
      with the Chicago Sinfonietta

      I. March-like: Allegro alla marcia (7:35)

    • II. Song-like: Andante piacevole quasi improvisando (6:53)

    • II. Song-like: Andante piacevole quasi improvisando (6:53)

    • III. Scherzo: Dance-like (animato) (4:13)

    • III. Scherzo: Dance-like (animato) (4:13)

    • IV. Finale: Molto allegro (6:12)

    • IV. Finale: Molto allegro (6:12)

    • I. Very slow, mysterious - Bold and rhythmic (13:10)

    • JOHN LA MONTAINE (1920–2013)

      Piano Concerto No. 4, Op. 59* (1989) (28:51)
      with Slovak Radio Symphony

      I. Very slow, mysterious - Bold and rhythmic (13:10)

    • II. Gently flowing, soaringly lyrical (5:19)

    • II. Gently flowing, soaringly lyrical (5:19)

    • III. Slow - Moderate, incisive (10:09)

    • III. Slow - Moderate, incisive (10:09)

Album Description Download Full CD Booklet

The world premiere recordings of two contrasting piano concertos by major 20th-century American composers with ties to the Midwest present what presidential campaigners might call a bridge to the past and a bridge to the future. Here, listeners don't have to choose between the two.

Ganz's Romantically styled Piano Concerto in E-flat Major, Op. 32 (1940) and La Montaine's jazzy, impressionistic Piano Concerto No. 4, Op. 59 (1989) are vastly different. Yet besides having spent significant periods of their lives in the Chicago area, the composers share the goal of writing "music that appeal to a wide audience, infusing their work with enough ingenuity and substance to satisfy the most discriminating performer," writes Stephen C. Hillyer in the program notes.

Commissioned by the Chicago Symphony for its 50th anniversary, Ganz's concerto, like the rest of his output, is "cosmopolitan, conservative, and -- especially in the work at hand -- uncommonly witty, as was the man himself," Hillyer writes. Born in Switzerland, Ganz studied piano with Busoni in Berlin. He came to Chicago in 1901 and began a long association with the Chicago Musical College, including 25 years as its director (1929-1954). He was music director of the St. Louis Symphony Orchestra (1921-27) and led its first recordings for the Victor label. Ganz conducted the New York Philharmonic's Young People's Concerts and guest conducted the symphony orchestras of Los Angeles and Chicago.

Born in 1920 in Oak Park, Illinois, home of Frank Lloyd Wright's "prairie style" architecture, La Montaine (who currently resides in Hollywood, CA), studied theory at the American Conservatory of Music in Chicago and composition at Eastman with Howard Hanson. He also studied piano with Ganz for a short time. La Montaine played keyboard for the NBC Symphony during Toscanini's last four seasons (1950-54).

"La Montaine's Fourth Piano Concerto," writes Hillyer, "is that rarity in this century (or any other for that matter): a listener-friendly work that immediately appeals with memorable tunes and catchy rhythms, yet grows increasingly impressive with each rehearing." The work, commissioned for the Waterbury (Connecticut) Symphony's 50th anniversary, received its world premiere in 1990.

A champion of neglected American piano music, pianist and teacher Ramon Salvatore has received praise for his groundbreaking concerts and recordings on Cedille and other labels. Sadly, this was Mr. Salvatore's last recording: he died of cancer in 1996, at age 51. This recording is dedicated to his memory.

In a recent letter to Cedille Records, La Montaine says, "The world has lost a great pianist." He writes that Mr. Salvatore's recordings of his music "set a standard for all future performances . . . A composer cannot but be grateful to have such abilities lavished on his works."

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Program Notes

Album Details

Total Time: 54:15

*World Premiere Recording(s)

Recorded: February 26 & 27, 1995 in Bratislava and February 27, 1996 in Lund Auditorium, Rosary College, River Forest,
Illinois Producer: James Ginsburg
Engineer: Bill Maylone Cover
Photography: Erik S. Lieber
Design: Cheryl A Boncuore
Notes: Stephen C. Hillyer

© 1996 Cedille Records/Cedille Chicago

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