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Artist Spotlight: Leah Dexter on “Terra Nostra”
Darkness, the alto aria from Terra Nostra
The aria “Darkness” that Stacy Garrop composed for the mezzo-soprano, was a very personal and moving piece to perform and record, that left me in a completely vulnerable state. It changed me forever. From Lord Byron’s poignant, powerful words, to the affected wailing and whispering of the accompanying female chorus, the piece evokes images of ultimate terror, destruction, desolation and sadness. A dramatic powerhouse of an aria, it was incredibly difficult to bring this piece to life with the images presented and how they relate quite closely to the current state of the world. I am hoping that the listening audience will be moved just as much as I was and feel just how powerful this particular scene is, and also, how tragically beautiful.
Recommended
The multiple Grammy Award-winning Pacifica Quartet continues its highly acclaimed recording series that explores the sounds of America with an album comprising string quartets incorporating elements of American folk music and spirituals by Antonín Dvořák, Florence Price, and Louis Gruenberg, plus a new work by James Lee III.
In anticipation of the Earth Day (April 22) release of Stacy Garrop‘s oratorio Terra Nostra, a playlist of pieces about our planet, its scenic places, creatures, natural resources, seasons, etc. Tracks from Terra Nostra will be added upon its 4/22 release.
Enjoy 25% off of Cedille’s Featured Release.
On this episode of Classical Chicago, Cedille President Jim Ginsburg talks with celebrated composer Stacy Garrop about her experience composing and recording Cedille’s latest release, Terra Nostra. The multifarious text weaves together creation myths from India, North America, and Egypt, excerpts from the Bible’s Old Testament, classic poetry from Walt Whitman, Lord Byron, Lord Alfred Tennyson, Edna St. Vincent Millay, and contemporary writings by Esther Iverem and Wendell Berry, among others.